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DECK THE HOLIDAY'S: 02/28/13

Thursday, February 28, 2013

DARK CHOCOLATE CHERRY MOUSSE CAKE!!

   This recipe was found at www.passionateaboutbaking.com .  I dessert that could be the centerpiece for your next party or gathering.



Dark Chocolate Cherry Mousse Cake



Dark Chocolate Cherry Mousse Cake


The base was intended to be a sponge until I added melted chocolate to it. I panicked since it wasn’t light as air and soft … so it got a good sugar syrup soaking. Was the right medicine for the cake. It giddily drank up the juices on offer and was just right a base for the balsamic cherries and mousse filling!





Dark Chocolate Cherry Mousse Cake



The mousse filling was adapted from a simple chocolate mousse recipe in my Thermomix cookbook. By the time I had the machine on, I was in panic mode again. Something told me that it was too hot for it to set as a cake topping. Goblets are different; chocolate mousse will always be delicious in any form, barely set in goblets





Dark Chocolate Cherry Mousse Cake



too.I had to do better and couldn’t take a cake chance and eventually added a spoon of gelatin. It worked a charm and I was thrilled to see it had set beautifully when I demolded it the next morning. The birthday boy was packed off with Mr PAB for a film and lunch, so I got adventurous and decided to pretty up the cake a bit!




Dark Chocolate Cherry Mousse Cake






Noel Cowards began playing in head “Mad dogs and Englishmen go out in the midday sun“. Boy was it HOT at 43C! A lace collar in the heat might well have been the silliest of ideas but there you are. That’s what I decided to do … and that worked too. Some more balsamic and fresh cherries on top, a sprinkling of pistachios, chocolate flakes and we were set for the lads 13th!!



Dark Chocolate Mousse.


Dark Chocolate Cherry Mousse Cake
Dark Chocolate Cherry Mousse Cake
Dark Chocolate Cherry Mousse Cake




We had a sinfully delicious cake by the evening, one that looked as good as it tasted. 5 star quality declared the hub! The kids absolutely LOVED it down to the last chocolaty crumb, the birthday boy quite happy. I was glad I set 2 goblets of mousse too to make sure that the mousse would hold; a runny mousse cake would have been a mid summer disaster! So glad I got it right!

INTERNATIONAL CIRCUS FESTIVAL OF MONTE-CARLO!!






    The Festival International du Cirque de Monte-Carlo (International Circus Festival de Monte-Carlo) was created in 1974 by Prince Rainier III of Monaco to promote circus arts....for which he had a lifelong passion.  The first festival was held from December 26th to the 30th, 1974 under the big top of the French circus Bouglione, installed on what was then the Esplande de Fontvielle.  In the forward he wrote for the program, Prince Rainiers said, "This International Circus Festival was created thinking of the circus community, of this family of underestimated people, so that you, attentive spectators of their efforts and of their work, could know them better, and celebrate them better".  It was the first true circus festival ever presented in the Western world.






   During the Festival, a selection of some of the best circus acts in the business are presented twice to a paying audience and a Jury of circus professionals, journalists, and specialists...presided until 2005 by the late Prince Rainier III, and since 2006, by his daughter, Princess Stephanie of Monaco.  The Jury awards Gold and Silver Clowns, and since 2002 a Bronze Clown, in the form of statuettes sculpted by Paule Male'.  Other prizes and trophies are awarded by the City of Monaco, and various
corporations, press organizations, associations, and individuals.  The Festival presents about 25 acts each yer, in two different set of performances.  The awards are presented during a closing Gala performance attended by the Prince of Monaco, and his family and guests.  Traditionally, the Prince also attends every selection performance.  The first Gold Clowns, which in time became the equivalent of an Oscar, to the circus world, were award to Alfred Court, in tribute to his exceptional career, and to Charlie Rivel.






   In 1975, the Festival was presented under the big top of the Italian circus, Nando, Liana e Rinaldo Orfei, and from 1975 to 1994, under the big top of another Italian Circus, Circo American-Togni.  Since 1995, it has been held under a large, sedentary circus structure, permanently installed in what is now the Quartier Fontvielle, in Monaco.



Under the big top tent in Monte Carlo



   In 2006, the Festival staged an extraordinary tribute to Prince Rainier III of Monaco (who had passed away the previous year), with a five hour show that gathered the greatest assemblage of Gold and Silver Medalists ever seen (some of them performing at the same time, like the amazing juggling duet formed by Kris Kremo and Anthony Gatto, or Oleg Izossimov sharing the ring with The Rodions and Wei Baohua &Wu Zheng).  It was probably the greatest circus performance ever produced.






   The International Circus Festival of Monte-Carlo is now held each year in mid January.  Presided by S.A.S. Princess Stephanie of Monaco, it remains today, without a doubt, the most important circus manifestation in the world, and it has become the annual rendezvous of the international circus community and of a large international audience of circus enthusiasts.

PATRAS CARNIVAL FROM GREECE!












   The Patras CarnivalPatrino karnavali is the largest event of its kind in Greece and one of the biggest in Europe. It has more than 160 years of history. The events begin on 17th of January and last up to Clean Monday. The carnival of Patras is not a single event but a variety of events that includes balls, parades, hunting of hidden treasure, kids’ carnival etc. Its apogee is in the last weekend of Carnival with the Saturday evening parade of carnival groups, the extravagant Sunday parade of floats and groups, and finally the ritual burning of king carnival at the St. Nikolaos Street wharf in the harbour of Patras. Its characteristics are spontaneity, improvisation, inspiration and volunteerism.

History

   Most people agree that starting event of the Patras Carnival was a ball given in the residence of the merchant Moretis in 1829. However the carnival, as most carnival events in the Mediterranean and the Balkans, is connected with ancient pagan rituals, as those to honour Dionysus. According to these traditions, in the heart of the winter, the faithful invoke the deity with special feasts and he is reborn in order to bring spring once again. In modern period, French troops of general Maison stationed in the city after its liberation from the Turks. Later on, and as consequence of the prosperity of the





city in the end of 19th century the carnival festivities take a more regular nature. The first carnival floats appeared in the decade of 1870s. Then the floats were exclusively creations of individuals, only later did the Municipality of Patras undertake to construct a large number of them. In the same decade, in 1872, with contributions of rich raisin merchants the celebrated "Apollo" Theatre is built, and it entertains carnival dances, as it does precisely today, because the theatre continues to have a central role in the carnival celebrations. In 1880 on Saint Anthony's day the first "mpoules" appeared (teams disguised that hang around in the neighborhoods and with humorous disposal joke with friends). This custom tends to disappear nowadays. Besides, as the historian of Patras Carnival Nikos Politis testifies, beautiful carnivals were organized during the belle époque as in the years 1900, 1907, 1909 with the attendance for first time of individuals of each social class and origin. This period also gave birth to the egg-war custom, with wax eggs stuffed with confetti (made with special machines) which the carnivalists threw from the balconies. Although this custom has disappeared today, it is considered to be the precursor of the chocolate war.
   The developments of the following decade were not favourable for the carnival; the continuous wars and conflicts (Balkan wars, World War I, Asia Minor campaign) send the men in the war front and brought economic crisis and desolation to the city. In the first postwar years the situation do not improve perceptibly, only some scattered events testify the arrival of Carnival. Obvious exception constitute the imposing and amazing carnivals of the years 1938 and 1939. Nevertheless, the World War II and the consecutive Greek Civil War bring a decennial obligatory interruption. In the beginning of the 1950s the first hesitant thoughts for a resurgence of carnival are expressed. The most pessimistic predict a failure: "nothing will be as before". However, the carnival is indeed reborn. The pioneer musical groups "Orpheus" and "Patraiki' Mantolinata" lead the effort. The Patras Carnival returns in the lives of the citizens of Patras but also all








Greeks, especially those that could afford (mainly affluent Athenians) to travel in Patras in order to participate in the carnival, as in its famous Bourboulia balls. In the same period the Greek cinema depicts snapshots of carnival in its films. Yet more historic scenes can be seen in prewar films. Still in the 1950s, the carnival becomes the object of attacks, as fanatic Christian and other misinformed moralistic organisations roll up to Patras from other regions of Greece during the carnival in order to denounce orgies, corruptness, "Sodom and Gomorrah", but they are prevented from creating trouble by the police. The completely unfounded accusations meet with indifference or a feeling of nuisance by the citizens of Patras and visitors of carnival. It is characteristic that the local church does not sympathise with the troublemakers since it knows that the carnival is a completely innocent recreational event. Yet, in the same period in certain cases censorship is imposed in certain carnival creations which upset the establishment with their humour. Finally in 1964 the year of king Paul's death the Carnival was cancelled.
   Under no circumstances could these limited exceptions shade the magnificence of carnival, which had already known Pan-Hellenic recognition while it also attracted the attention of certain international media. In 1966 the carnival was reorganized. The journalist Nikos Mastorakis introduces the Hidden Treasure Hunt in which 94 citizens of Patras and visitors with their cars take part. The first prize was won by a team led by a friend of the carnival from Thessalonica; his name was Alkis Steas and he presented the game starting from the following year. Thus, the late Steas became for decades the legendary presenter of the carnival, which was broadcasted by ERT and was watched by all Greek TV viewers. The presenter's expressions such as "the Carnival city of Greece", when he referred to Patras and "be happy" and "keep dancing!" when he







referred to the carnival groups, remain historical. In 1974 the modern phase of the carnival begins, as the revelers are convinced to abandon their cars and parade on foot in the streets (until then only floats paraded). Since then each year the spectacle climaxes, the carnival has become gigantic and hundreds of thousands of visitors flock to Patras to witness the proceedings. From the early beginning of 2011, Carnival of Patras has its own Web TV channel, broadcasting live and on-demand videos in www.carnivalpatras.tv.

The Opening Ceremony

   Irrespectively of when the Triodion falls,the three-week period preceding the first Sunday of Lent, it is customary for the Carnival of Patras on start on the day of St. Anthony (17 January). The opening ceremony takes place on George Square and includes pantomimes and patters, dances, endless music and fireworks.


The Childrens carnival

   A spectacular, yet substantial, take on the traditional baby rally. The Children's Carnival includes a parade with the participation of masqueraded children's groups from nurseries, kindergartens, musical schools etc. Over 5000 children participate whereas the festival is completed by numerous game events and constructive activities. Their objective is to introduce the younger generation to the Carnival and to distinguish their abilities in artistic expression related to aesthetic or satirical masquerading. You can watch the parade live in www.carnivalpatras.tv.





The Bourboulia

   The most famous unique Carnival tradition of Patras is also its oldest. Women participate in the Carnival Dance Hall Ball without paying for entry while men must purchase a ticket. All the women are dressed in a dark dress with a mask called a "black domino" while the men will be in regular clothes. During the dance, women select their dance partner. Besides an encouragement for the women to act as the sexual aggressor there is also an equalization of the social classes, particularly among the women whose background as urban or working class cannot be distinguished. 
   It is an empowering female event which allowed escape from daily routine defined in narrow social terms. According to Mrs. Ntouli-Dimitropoulou in an interview given in 2006 to Christiana Grigoriou &Christina Metaxioti for their published research paper on "The Social Role and the Cultural Identity of Women in Patra" the special attention given by the women of Patra to their preparation for the Bourboulia " makes them all beautiful and they give-off a sense of self-confidence that they are the most beautiful women in the world. This is something magical.






   For most of its history, no photographs of the Bourboulia were allowed and while it is alleged that every woman in Patra has participated in the Bourboulia at least once, no one will admit it. Mrs Maria Iliopoulou, the first women recognized officially for her Carnival contributions by the Mayor of Patras has also been responsible for many years for the Bourboulia. She cites St. Mark's square in Venice as the source for the original costume design of the domino. While Venice needed heavy material in warmer Patras silk and satin were favored. The mask is very important to create the mystery. In fact, Mrs Iliopoulou believes the Patras Carnival Queen contest should wear masks as every Queen has her own beauty with her carnival uniform and thus her real appearance should not be revealed.



Bouboulina_attacking-Nafplion.jpg
Laskarina Bourboulina


History of the Bourboulia: 
   Official Carnival history of Patras usually begins with the first event being ball given in the Carnival season associated with the merchant class which was influenced by French Carnaval Balls and Venetian Carnevale Costumes of St. Marks Square.

The Saturday night parade

   This is also called the "Nihterini Podarati" [Night Parade on foot].In earlier years, only the Treasure Hunt groups could participate, without their floats. However, the last few years every group is free to join. Night, bright lights, an overwhelming stream of people, colors and high spirits combine, create a spectacular scene.


Closing Ceremony

    An extension of the traditional festivities based around the burning of the float of the Carnival King, with concerts, dances, a farewell to the carnival past, announcements about the carnival to come and countless fireworks. It takes place at the port on Sunday night and is also broadcast on TV.







   Following the Grand Parade on Sunday are important final events. This is the last Sunday of the Carnival and the eve of the first day of Lent or Clean Monday. The Carnival King is called upon to bid farewell to his subjects and to arrange a date for next year.
   The customary meeting of all crews will happen at the St. Nikolaos Street wharf the central quay of the Patras harbour. Tradition demands the announcement of the winners of the Treasure Hunt, the farewell of the Carnival King and burning of the float , announcements about the carnival to come, endless dancing and fantastic fireworks.   The show is broadcast nationally on TV as are both the Saturday and Sunday parades. 
The mayor declares the closing of this year’s Carnival and officially announces the next year’s theme. All festivities stop at midnight as everyone observes the beginning of Lent.