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DECK THE HOLIDAY'S: 01/17/14

Friday, January 17, 2014

DIY FAUX DEER HEAD MOUNT!




   This comes from www.chroniclebooks.com .  Save a deer make one out of cardboard and paper. I thing this is a real cool tutorial.  You could even make it more Christmasy by using some sort of holiday wrapping paper.


Oh Dear, Deer Head
Excerpted from Dorm Decor (available May 2009)
For the animal lover, activist, or simply anyone with a sense of humor, this faux buck will make any dorm-room dweller proud. Hang a scarf or hat on his antlers, keeping floors free and clear, or use him as witty wall art.





YOU’LL NEED:



Deer templates
1 20″ x 30″ piece (3/16″-thick) foam core
1 6″ x 7″ piece (1/2″-thick) foam core
60″ length (30″-wide) wrapping paper
1 6″ x 7″ piece of contrasting paper
Craft knife
Cutting board
Spray adhesive
Picture-frame hanging wire
Awl


Make the pieces

1. Using the deer templates:
From the 3/16″ thick foam core, cut:
2 deer heads
1 deer body
1 deer nose
1 deer antler
From the 1/2″ thick foam core, cut:
1 mounting board


Cover the pieces

2. Using spray adhesive, spray one side of the nose piece and adhere it to the Wrong side of the wrapping paper. Use the craft knife and the cutting board and cut out the nose piece. Repeat for the other side of the nose.
3. Repeat to cover both sides of the two deer heads, the deer body, and the deer antler pieces.
4. Using spray adhesive, adhere the contrasting paper to one side of the mounting board. Cut it out using the craft knife and cutting board.


Hang the deer head

5. On each deer head piece, cut a hole 1″ below the top edge and 3/8″ inside the back edge with the awl.
6. Assemble the deer head as shown in the photograph.
7. Thread wire through both holes several times and end by wrapping the wire around itself for a hanger.
Click here to download the below images. They are formatted to 8x10in layouts. So, when printing on 8.5x11in paper, select (when printing through Windows Print Wizard) “8x10in cutout print” in the layout selection. It should print perfectly.









HISTORY OF AULD LANG SYNE!






   The traditional song for bringing in the new year in most English speaking countries is "Auld Lang Syne". The song is well known and sung at the stroke of midnight as the new year is ushered in. The words were passed down orally and written down in 1788 by Scottish poet Robert Burns. Robert Burns is usually given credit for the poem, but some lyrics appear to have been taken from an earlier poem by James Watson. The phrase "Auld Lang Syne" is also used in similar poems by Robert Ayton (1570-1638), Allan Ramsay (1686-1757), and James Watson (1711) as well as older folk songs predating Burns.
   It soon became traditional in Scotland and the British Isles for the folk song "Auld Lang Syne" to be sung to commemorate the beginning of the New Year. As the people from that area of the world emigrated to other places and to the United States, they brought the tradition with them and it became an American tradition. Although the song is widely known, must of us don't understand the meaning. The song title "Auld Lang Syne" can be translated to long long ago or days gone by. Matthew Fitt, a Lowland Scots/Lallans poet and novelist, uses the phrase "In the days of auld lang syne" as the equivalent of "Once upon a time..." in his retelling of fairy tales in the Scots language.





   The meaning of this popular Scottish New Years Eve song " Auld Lang Syne" is about old friends who have parted and meet again. To celebrate their long friendship, they share a drink together and reminisce of memories from a long time ago. The main message is that we should not forget our old friends and should celebrate a reunion with them.
   The opening verse: "Should old acquaintance be forgot / and never brought to mind? / Should old acquaintance be forgot / and days o' lang syne?" is the one most of us know and remember. These lines ask whether one can forget the days that have gone by and the friends with whom those days have been spent. The next verses recall those days.
   There is some doubt as to whether the melody used today is the same one Burns originally intended, but it is widely used both in Scotland and in the rest of the world.
    Guy Lombardo, famous Canadian band leader, is often credited with popularising the use of the song at New Year's celebrations in America, through his annual broadcasts on radio and television, beginning in 1929. The song became his trademark. In addition to his live broadcasts, Lombardo recorded the song more than once. His first recording was in 1939. Though there are earlier newspaper reports of the song being sung in American and across the ocean to celebrate the New Year.

UP HELLY Aa-EUROPES LARGEST FIRE FESTIVAL, FROM THE SHETLAND ISLANDS!!!







The History of Up Helly Aa

    Up Helly Aa is a relatively modern festival. There is some evidence that people in rural Shetland celebrated the 24th day after Christmas as "Antonsmas" or "Up Helly Night", but there is no evidence that their cousins in Lerwick did the same. The emergence of Yuletide and New Year's festivities in the town seems to post date the Napoleonic Wars, when soldiers and sailors came home with rowdy habits and a taste for firearms.



Early years


    On an old Christmas eve in 1824, a visiting Methodist missionary wrote in his diary that "the whole town was in an uproar, from 12 o'clock last night until late this night blowing of horns, beating of drums, tinkling of old tin kettles, firing of guns, shouting, bawling, fiddling, fifeing, drinking, and fighting. This was the state of the town all the night...the street was as thronged with people as any fair I ever saw in England".
As Lerwick grew in size the celebrations became more elaborate. Sometime about 1840, the participants introduced burning tar barrels into the proceedings.




    "Sometimes", as one observer wrote, "there were two tubs fastened to a great raft-like frame knocked together at the Docks, whence the combustibles were generally obtained. Two chains were fastened to the bogie supporting the capacious tub or tar-barrel...eked to these were two strong ropes on which a motley mob, wearing masks for the most part, fastened. A party of about a dozen were told off to stir up the molten contents".




    The main street of Lerwick in the mid 9th century was extremely narrow, and rival groups of tarbarrelers frequently clashed in the middle. The proceedings were thus dangerous and dirty, and Lerwick's middle classes often complained about them. The Town Council began to appoint special constables (police) every Christmas to control the revellers, with only limited success. When the end came for tar-barrelling, in the early 1870's, it seems to have been because the young Lerwegians themselves had decided it was time for a change.






    Around 1870, a group of young men in the town with intellectual interests injected a series of new ideas into the proceedings. First, they improvised the name Up Helly Aa, and gradually postponed the celebrations until the end of January. Secondly, they introduced a far more elaborated element of disguise- "guizing"-into the new festival.
Thirdly, they inaugurated a torchlight procession. At the same time they were toying with the idea of introducing Viking themes to their new festival. The first signs of this new development appeared in 1877, but it was not until the late 1880's that a Viking long ship-the "galley"- appeared, and as late as 1906 that a "Guizer Jarl", the chief guizer, arrived on the scene. It was not until after the World War I that there was a squad of Vikings, the "Guizer Jarl's Squad", in the procession every year.




    Up to World War II, Up Helly Aa was overwhelmingly a festival of young working class men...women have never taken part in the procession. During the depression years the operations was run on a shoestring. In the winter of 1931-32, there was an unsuccessful move to cancel the festival because of the dire economic situation in the town. At the same time, the Up Helly Aa committee became a self-confident organization which poked fun at the pompous in the by then long established Up Helly Aa "bill"-sometimes driving their victims to fury.






    In the early days orders had to be conveyed by means of placards or proclamations at the Market Cross. This meant that the Guizers had to go there to find out where and when the festival would take place it was not always held on the last Tuesday of January as is the case today.
    The first "Bill as we known it was produced in 1899, its primary purpose still being the conveyance of constructions. However, it was soon to be elaborated on by the addition of local jokes, satire, etc. and the bill head, painted each year by a local artist chosen by the Jarl. The painting usually depicts a scene from the Jarl's saga.



The contents of the "Bill" are produced in secret by a committee, the lettering being hand painted on the board the day before and finally the Jarl gives his seal of approval by signing the "Bill" that same evening.
At 6 in the morning of Up Helly Aa Day, the "Bill" is erected at the Market Cross for the public to read and is removed before the procession at night.






    There is a lot of anticipation as to who is going to be featured each year and in general everything is taken in good humor.
    Since 1949, when the festival resumed after the war, much has changed and much has remained the same.  That year the BBC recorded a major radio program on Up Helly Aa, and from that moment Up Helly Aa ....not noted for its split second timing before the war... became a model of efficient organization. The numbers participating in the festival have become much greater, and the resources required correspondingly larger.




    Whereas in the 19th century, individuals kept an open house to welcome the guizers on Up Helly Aa night, men and women now cooperated to open large halls throughout the town to entertain them. However, despite the changes, there are numerous threads connecting the Up Helly Aa of today with its predecessors 150 years ago. The festival takes place the last Tuesday in January every year in Lerwik, Shetland. Today the festival consists of a series of marches and visitations, culminating in a torch lit procession and Galley (a Viking ship) burning. Then there follows hours of performing acts in dancing halls, throughout the evening and early morning. The following Wednesday is a public holiday so everyone can recover from the festivities.
Up Helly Aa is a community event, with countless volunteers contributing many ours each winter towards organizing and planning the following year's festival.
The Guizer Jarl (Leader of the squad) and his squad begin their preparations in February, and many long hours of hard work go into the design and productions of their outfits.




    The Up Helly Aa Committee begin their year preparing the Up Helly Aa Exhibition that runs from May until September in the Galley Shed. This boasts a full size Galley, Jarl Squad suits, other Squads memorabilia and an extensive collection of photographs recording the suits worn and the guizers involved.
    In early September the Guizers of the remaining 45 squads begin their squad meetings and preparations. This involves determining the character or characters that they wish to rotary with their suits, making the suits while also creating and practicing their act to perform in the halls they visit throughout the evening.
    At the end of September the Galley shed is transformed back into a working shed where the Galley and the torches are constructed during the winter. During this same period the Committee checks the progress of the preparations including the Collecting Sheet and Bill.