Friday, April 15, 2016
Taking a photograph of a ghost or spirit does not require fancy equipment or extensive training. Any camera is capable of capturing images of ghost and spirits. Digital cameras are preferred because they produce immediate results, can e stored on a memory card or transferred to a computer without losing quality and there is no film to fiddle with in the dark.
- Select a location that has reports of paranormal activity. Although you can certainly capture a ghost image in the most unlikely of places, exploring paranormal hot spots increases your likelihood of capturing apparitions or ghostly figures.
- Take pictures of a defined object to provide perspective and to judge distance. Focus on a tree, gravestone or fence post if you are shooting a photo outside in a haunted location. Include people in your photos when ever possible. It is believed that some spirits are attracted to people and you just may catch that perfect shot while photographing your team members.
- Avoid shooting into the sun as it causes lens flares that can easily be mistaken for paranormal images. Any source of light, even the moon, can cause lens flare. Be conscious of all sources of light, including flashlights.
- Watch for reflective surfaces like windows, mirrors or shiny objects in the camera's field of view. If yo are using a flash, objects out of the view of the camera can also reflect light that may appear on film in unusual patterns.
- Tie hair back or wear a hat to prevent a strand of hair from accidentally falling in front of the lens. Check lens straps and caps and keep away fro the front of the camera.
- Avoid taking photographs in humid conditions or if it's raining or snowing. This creates orb-like images on the picture. Mist or fog may distort images or create a myriad of orbs.
- Take a deep breath and hold it while you take a photograph to prevent your breath from appearing in front of the camera in cool weather. Even when you can't see your breath, it may show up on film.
- Take two shots of the same location without changing position. Do this before exhaling as movement as simple as breathing out can shift the focus of the camera and result in a different angle. If you are lucky enough to catch evidence of paranormal activity, you will have another photo to compare images.
- Examine photos closely for unexplained images. Beware of a process called matrixing where the brain translates sensory stimulus to create a familiar image from the unknown. If that ghostly face you see in the trees is composed of leaves and branches, then it is not a real ghost image. An authentic ghost or spirit image is not created from parts of the environment. It has a distinct shape and form that differs from the surroundings.
- Study orbs carefully, as they are most often created by moisture, dust pollen or flying insects. True spirit orbs emit their own light and may cast a shadow. Study images of common dust and pollen orbs to learn to distinguish them from genuine spirit orbs.
The Takayama Festivals in Takayama, Japan, started in the 16th to 17th century. The origins of the festivals are unknown; however they are believed to have been started during the rule of the Kanamori family. Correspondence dated 1692, place the origin to 40 years prior to that date. One of the festivals is held on the 14th and 15th of April and the other on the 9th ad 10th of October.
The Spring Takayama Festival is centered on the Hie Shrine. The shrine is also known as the Sanno Shrine, and the spring festival is also known as the Sanno Festival. The Sanno Festival is held to pray for a good harvest and the Autumn Festival is for giving thanks.
The Autumn festival is centered on the Sakurayama Hachiman Shrine and is referred to as the Hachiman Festival. It is held after the crops are harvested. The fall festival is one of the three largest festivals in Japan. The other two are Kyoto's Gion Matsuri and the Chichibu Matsuri.
The festivals are famous for the large ornate floats, or yatai, which roam around the city at night. The floats date back to the 17th century, and are decorated with intricate carving of gilded wood, and detailed metal work, rich design, similar in style to art from Kyoto during the Momoyama period, and blended with elements from the early Edo period. Detailed carving, lacquering and beautiful decorative metal works is found not only on the outside of the floats, but inside as well, under the roof and behind the panels, where the worked is amazingly detailed. The floats are also gorgeously decorated with embroidered drapery. The Uatai floats are lined up before dusk, and once the town become veiled in the evening darkness, as many as 100 chochin lanterns are lit on each of the floats. The unique ornaments of the yatai floats look even better in the darkness of the night. The floats are moved around the city by people but are wheeled carts and the bearers are not required to endure the load. The floats are lit by traditional lanterns and escorted on a tour of the city by people in traditional kimono or hakama dress. Each float reflects the district in Takayama to which it represents.
The craftsmanship and the Hotei tai have intricate marionettes, which perform on top. The puppet show is a registered as a "cultural asset". The tall festive floats are displayed during the two days of both festivals. During inclement weather the floats are returned to their storage houses. The Takayama Matsuri Yatai Kaikan store four of the eleven fall floats; the others are stored in special storehouses throughout the city, when not in use. During inclement weather, the outer doors to the Yatai Kaikan are open so visitors may view them. The floats in the Yatai Kaikan are changed several times a year.
The Yatai Kaikan is located in the northern end of Takayama's old town, a 15-20 minute walk from the station. The Yatai Kaikan is open from 8:30 am. to 5:00 p.m., from March to November and from 9:00 a.m. to 4:30 p.m. from December to February. The admission fee is 840 yen (approximately $10.10)
The puppets or marionettes are made of wood, silk, and brocade or embroidered cloth. They are operated by strings and push rods from with the yatai. Karakuri (mechanical) puppet plays performed on a stage are superb. The puppets, like the Yatai, represent the skilled craftsmen of the area. The puppets or the three marionettes on Hotei Tai (the god of fortune), require nine puppet masters to manipulate the 36 strings which make the marionettes move in a lifelike manner, with gestures, turns, and other movements. A problem with the puppets are parts needed to repair the puppets. The springs in the puppets are made of Right whale baleen and cannot be replaced with steel springs or the baleen of other whales. Other materials used to make the springs cannot duplicate the movements of the springs made from the whale baleen.