DECK THE HOLIDAY'S

   If you’ve seen enough horror movies, you’ll notice that they’ve become increasingly stale nowadays. Sometimes it feels like the characters on screen know when they’re about to get whacked by the psycho killer in the woods, and even they can’t fool the audience. How stupid do some of these movie directors believe the average American viewer has become? The following bag of tricks are currently destroying modern horror cinema: 1.) The Peek-a-boo, I See You    This is the moment when the director cleverly places the actor (usually some blond that can’t stop crying) into the right third of the screen. The camera pans in slowly and the creepy music starts playing. Then suddenly the killer’s face pops out the shadows directly behind the sobbing blonde. Since it would make too much sense for the killer to hack his victim instantly, (as killers in the real world are prone to do, don’t ask me but I know) the director always gives the heroine a few seconds to realize that some psy

The Lost Art of Hollerin’    Hollerin’ is considered by some to be the earliest form of communication between humans. It is a traditional form of communication used in rural areas before the days of telecommunications to convey long-distance messages. Evidence of hollerin’, or derivations thereof such as yodeling or hunting cries, exists worldwide among many early peoples and is still be practiced in certain societies of the modern world. In one form or another, the holler has been found to exist in Europe, Africa and Asia as well as the US. Each culture used or uses hollers differently, although almost all cultures have specific hollers meant to convey warning or distress. Otherwise hollers exist for virtually any communicative purpose imaginable -- greetings, general information, pleasure, work, etc. The hollers featured at the National Hollerin’ Contest typically fall into one of four categories: distress, functional, communicative or pleasure.    Within the US, part