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Showing posts from May 29, 2015

WHY TRYING TO WAIT OUT THE ZOMBIE APOCALYPSE COULD GET YOU KILLED!!

    I want to bring up some alternate methods of thought, that the best way to survive the zombie apocalypse is to stay mobile and not hunker down in a single place. Here's why that it might be true. A Zombie Apocalypse Isn't Siege Warfare     Zombie survivalists like to make a parallel between fending off zombies and medieval forms of siege warfare. At first glance, it's easy to see why they might make that comparison: you have an overwhelming mass of combatants outside your gates, but within a well-stocked stronghold, a small number of defenders can hold off almost indefinitely.     The problem with this idea is that surviving a siege puts faith in the idea that your attackers will eventually get bored or be incapable of feeding or otherwise supplying themselves and will soon stop attacking you.     We can't assume those things of zombies. Zombies don't get bored. Zombies are always hungry, but hunger won't stop them. They're i

WHY DO CHRISTMAS CAROLERS WALK AROUND THE NEIGHBORHOOD SINGING??

    The idea of Christmas caroling brings to mind a jolly band of churchgoers, dressed in shawls and top hats, going door-to-door spreading the spirit of Christmas through hymns. Whether it's "Deck the Halls", "Joy to the World" or "Silent Night", Christmas Carolers have been known to travel on foot, by truck or on horseback. Despite a recent re-examining of caroling's political correctness, including one incident where carolers were banned from marching in a prominent parade in Denver. It remains a popular Christmas tradition. But how exactly did this tradition begin? Who wrote the carols? And why do we feel compelled to sing them on the front porch of a total stranger's home?     The root of the word "carol" lies not in song, but in dance. In Old French, "carole" means "kind of dance". In Latin "choraula" means "a dance to the flute", and in Greek, "choraules&quo

TINKU FESTIVAL FROM BOLIVIA!!

    Tinku , an Andean tradition, began as a form of ritualistic combat. It is native to the northern region of Potosí in Bolivia. In the language of  Quechua , the word  “tinku”  means encounter. In the language of Aymara it means  “physical attack".  During this ritual, men and women from different communities will meet and begin the festivities by drinking and dancing. The women will then form circles and begin chanting while the men proceed to fight each other; rarely the women will join in the fighting as well. Large tinkus are held in Potosí during the first few weeks of May.     Because of the rhythmic way the men throw their fists at each other, and because they stand in a crouched stance going in circles around each other, a dance was formed. This dance, the Festive Tinku, simulates the traditional combat, bearing a warlike rhythm. The differences between the Andean tradition and the dance are the costumes, the role of women, and the fact that the da